![Цадкин, Осип. Плакат к выставке, приуроченной к выходу книги: Portrait de L’Oiseau-Qui-N’Existe-Pas. [Портрет Птицы-Которой-Не Существует]. [На фр. яз.] Париж: Галерея Рене Кифер, 1966.](/imgproxy/unsafe/rs:fit:820:0/sh:0.8/plain/local:///lot_image2/2026/02/15/lot_image2/2026/02/15/617-281-13861-8-YA154802.webp)
![Цадкин, Осип. Плакат к выставке, приуроченной к выходу книги: Portrait de L’Oiseau-Qui-N’Existe-Pas. [Портрет Птицы-Которой-Не Существует]. [На фр. яз.] Париж: Галерея Рене Кифер, 1966.](/imgproxy/unsafe/rs:fit:820:0/sh:0.8/plain/local:///lot_image2/2026/02/15/lot_image2/2026/02/15/617-281-13861-8-YA154802.webp)
Zadkine, Ossip. Poster for the exhibition timed to the release of the book: Portrait de L’Oiseau-Qui-N’Existe-Pas. [Portrait of the Bird-That-Does-Not-Exist]. [In French.] Paris: Galerie Renée Kieffer, 1966. 1 sheet. 48.5×64.5 cm. Ossip Alekseevich Zadkine (1890–1967) — sculptor, graphic artist, and applied artist; a representative of the School of Paris. He studied at a vocational school in Vitebsk and took drawing lessons from Yu.M. Pen. In 1909, he left for Paris, settling in the La Ruche ("The Beehive") district of Montparnasse. From 1912 to 1914, he was a regular visitor to the salon of Baroness Hélène d'Oettingen and the Café La Rotonde, where he met many figures in Paris's artistic life. His early work is characterized by an enthusiasm for primitive art, which many masters of the School of Paris experienced. In the late 1910s and 1920s, he turned to Cubism. Subsequently, without being tied to any artistic groups or movements, he successfully incorporated elements of Cubism, Expressionism, and Surrealism in his work, combined with various historical styles.
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